Thrilled to interview Siri Hustvedt (over the phone from New York) about her new novel The Blazing World. It tells the extraordinary story of a woman artist who achieves acclaim by posing behind the personae of three male artists. As a woman she is ignored. Once people think she’s a man, she’s the toast of the Manhattan art world.
This is a brilliant companion piece to one of my favourite novels of all time, What I Loved. Hustvedt: “Harry – the artist Harriet Burden – is right that there is a “masculine enhancement effect”. The arts are often thought of as “sort of feminine” and science as masculine. These divisions are underlying our perceptions. There are a number of other positions and perspectives that are meant to complicate the reader’s understanding of this story. There is no message. There is nothing simple about this.”