Two wonderful page-turners reviewed this month: Francesca Segal’s The Innocents for The Observer, which is the story of a newly-engaged couple where the man is having serious doubts about the relationship. I like his bold strategy: if in doubt about the person you are marrying, just bring the wedding forward and everything will be fine. This is an entertaining, elegant read, nicely pitched in the territory between literary and commercial. I’d happily recommend it to anyone as a light read. But for something a bit more quirky and inventive with similar themes? Nell Freudenberg’s The Newlyweds.
Lucy Ellmann’s Mimi, reviewed for the Sunday Telegraph, meanwhile, is so unusual and so crazy (but good crazy) that it’s really in a territory all of its own. Mimi is an eccentric speech-writer who saves Harrison, an equally eccentric plastic surgeon, when he falls over in the street and sprains his ankle. We know they’re going to cross paths again and fall in love and sure enough they do. This feels like a Woody Allen film encapsulated in a novel. It’s madcap, funny, wild, romantic, experimental, demented and I loved everything about it.